Niels Rønsholdt

With an insistence on aesthetic and technical precision, Rønsholdt has been whittling consistently and mercilessly for many years upon the genres of instrumental music, chamber opera and installation, often in co-operation with the media artist Signe Klejs. With works such as 'Triumph' (2007) and 'Honeymoon' (2009), Rønsholdt and Klejs have created new electronic music formats in which Rønsholdt's musical stringency has been maintained in a media platform that presents and develops the thematic work on all levels. Rønsholdt's music is characterised by an extreme tenderness that entices the listener to enter difficult universes, where the aesthetics and composition are so powerful that you can feel the door slam shut behind you. - Danish Arts Foundation's Committee for Classical Music

portræt

1996-2006: Ready for the future

3. October 2016 – Digitalization was influential on AUT coming into the new millennium. Hjarne Fessel on a paradoxical atmosphere of openness and seclusion.
Af
  • Hjarne Fessel
portræt

1996-2006: På hat med i morgen

AUT
3. October 2016 – Digitaliseringen prægede AUT ved indgangen til det nye årtusind. Hjarne Fessel beretter om en paradoksal stemning af åbenhed og eksklusivitet.
Af
  • Hjarne Fessel
kritik

Illusionisterne

© Samuel Olandersson
26. May 2016 – Spor Festival stod i tryllekunstens tegn i år. Sune Anderberg skriver fra Århus.
Af
  • Sune Anderberg
kritik

The Fool

3. May 2016 – Marketed as avant-garde cabaret and playing at the Opera, ‘The Fool’ raised some fundamental questions about staged concerts. Andrew Mellor writes.
Af
  • Andrew Mellor