Forside
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kritik
Spor Festival at Twenty: the Eternal Play of Sound
27. October 2025 – From giant flutes to performative rituals – the anniversary edition of the Aarhus-based festival unfolded the materiality of sound and musical collaboration in new forms. -
kritik
Ingen døende diva i Paris – men glitter, hundeliv og kontorhumor
7. September 2025 – Copenhagen opera festival 2025 vendte blikket væk fra operaens klassiske skæbnetemaer og gav i stedet plads til intime musikdramatiske eksperimenter om queer-identitet, vold i hjemmet, klimakrise og psykisk sygdom. -
Peer-reviewed article
Music, sound art and context in a post-Cagean era
18. February 2015 – This article argues, that the open artwork no longer functions as a mere provocation. Instead it has become a naturalized form of art.
Nothing Will Be Livestreamed – Be Present in the Green
On the Danish island of Samsø, humans, sheep, and birds listen together to the music of nature – a journey into the ecology of sound.
That’s Why I Keep Returning To Unsound
Unsound in Kraków is still more than a festival – it’s an echo of our own search for connection in the age of noise.
Skribentprofil Simon Heggum
Simon Heggum har siden 2017 arbejdet som kritiker og formidler af især skæv, eksperimenterende og elektronisk musik. Han har en bachelor i kulturformidling fra KU og en læreruddannelse og er selv udøvende musiker i Sort Mono.
